Ng, K.M.; Caires, C.S. (2023). Virtual Serenety: Exploring a Chakra Meditation Dome in Virtual Reality for Stress Relief in Macao. Proceeding of the 11^th International Conference on Digital and Interactive Arts, 1-4. DOI: 10.1145/3632776.3632782.

Ng, K.M.; Caires, C.S. (2023). Empirical Studies on the Conditions of Achieving Interactive Mindfulness Through Virtual Reality Single User Experience in Macao. Springerlink. Entertainment Computing – ICEC 2023, 329-334. DOI: 10.1007/978-981-99-8248-6_27

Ching Man, L.; Caires, C. S. (2022), An Attempt to Examine Digital Native and Digital Immigrant Macau Graphic Designers’ Perceptions of Adopting Generative Design, IJCICG – International Journal of Creative Interfaces and Computer Graphics, IGI Global Publisher and ACM Digital Library.

Ng, K. M.; Caires, C.S. (2022), Applied Interactive Mindfulness: a Virtual Reality Grave Mourning User Experience in the Chapel of St. Michael in Macao. First International Conference on Sound and Image in Art and Design – MULTIMODUS-22, Book of Abstracts, Polytechnic of Portalegre, Portugal, June, pp. 22-23. ISBN: 9789898806499.

Ng, K. M., & Caires, C. S. (2022). In Memorial and Serenity: Introducing VR Grave Mourning in the Chapel of St. Michael in Macao. International Journal of Creative Interfaces and Computer Graphics, 13(1), 1–17. https://doi.org/10.4018/IJCICG.308300

Caires, C.S., Barbosa, A., Hanyou, W. (2020). Design for Classroom Units: A Collaborative Multicultural Studio Development with Chinese Students. World Academy of Science, Engineering and Technology, Open Science Index 161, International Journal of Educational and Pedagogical Sciences, 14(5), pp. 381 – 388.

Castro, M. G.; Caires, C.S.; Ribas, D. (2015). A Review of the Colloquium «Narrative, Media and Cognition» — a Cartography of the Borders of Narrative. In: “CITARJournal, Journal of Science and Technology of the Arts”, v. 7, n. 2, p. 89-89.

Monteiro, L.; Caires, C.S. (2013). Configuring the Art Object in the Age of Digital Computing: Meaning, Intentionality and Virtualization. In: “CITARJournla, Journal of Science and Technology of the Arts”, v. 5, n. 1, p. 71-78.

Caires, C.S.; Cardoso, J. (2012). The Garden of Time, a tangible interactive video installation. In: “TEI2012, Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction”, Kingston, Canada, pp. 315-316.

Caires, C.S.; Cardoso, J. (2011). Micronarrativas, Cinema e Interatividade: Faustine e O Jardim do Tempo, dois estudos de caso, Online Proceedings of the International Simposium “Microcontos e outras microformas”, University of Minho, Braga, Portugal.

Caires, C.S. (2009). The interactive potential of post-modern film narrative. Frequency, order and simultaneity. In: “CITARJournal, Journal of Science and Technology of the arts”, 1st number, June, Porto, Portugal, pp. 14-25. (ISSN 1646-9798).

Caires, C.S.; Cunha e Costa, J.; Boissier, J.-L., (2008). Muriel, 1st act: an interactive film installation. In: 3^rd International Conference on Design and Cinema, DESIGN CINEMA 2008, Istanbul, Turkey. 

Caires, C.S. (2007). Towards the interactive filmic narrative. “Transparency”: an experimental approach. In: “Computers & Graphics Journal, Special issue on Digital Arts”, Dec. 2007, pp. 800-808. (Elsevier ISSN: 0097-8493).

Caires, C.S. (2007). Da narrativa fílmica interactiva. Carrossel e Transparências: dois projectos experimentais. In: “Congress of Cinema and Technology”, Beira Interior University (UBI), Covilhã, Portugal.

Caires, C.S. (2006). O projecto experimental “Carrossel”: para uma aproximação ao cinema interactive. In: “Proceedings of the 3^rd International Conference on Digital Art and Electronics”, ARTECH2006, Pontevedra, Spain, pp. 78-81.

Caires, C.S. (2005). O aleatório na imagem vídeo digital, o projecto experimental [fragments_01]. In: “Proceedings of the 2^nd Luso-Galaico Digital Arts Workshop”, ARTECH2005, Vila Nova de Cerveira, Portugal, pp. 98-110.